The Artistry of Madness

This is now official : in January, I’ll start training as an art therapist specialising in mental health at Sainte-Anne, Paris most famous psychiatric hospital.

I first set foot in the psychiatric universe exactly two years ago, in December 2015. I documented my weekly dance sessions with the patients for about nine months (see a sample here and here). This piece of writing is very dear to me, because the Mad House characters were very dear to me. Some of the ladies are the greatest performers and poets I’ve ever met.

I’ve been viscerally missing the creativity and artistry of madness since I last passed through the doors of the psychiatric hospital last year. I’ve been feeling deprived from my main space of freedom and my main source of inspiration. 

I don’t want to become a dance therapist to “help people”. I have no sense of sacrifice and abnegation. It doesn’t interest me to be a saint. I’d rather be an artistry vampire. I want to work with the crazy to make art with them. I think that living hard and intensely is an artistic practice in itself. The tenants of the Mad House have the highest level of intensity and sensitivity I’ve ever experienced.

Also. I broke up with the first boyfriend I’ve ever had the day after I signed for my art therapy training enrolment. No causality. That story lasted for six weeks. He said things which brutally opened my eyes upon the fact that he hadn’t perceived me at all. Not one bit. He said he loved me but I tried to tell him that the girl he liked didn’t exist as she was the obedient, hetero-normed and thriveless version of me.

Of all the people I slept/fucked/made love with, wether it went deeper than the surface or not, I can’t help noticing that the common denominator is that none of them ever had the slightest interest in my creativity and vision of the world.

The lovers I had, the girls & the boys & the others all left the same question in my head. What exactly did they see in me? What did they like? Why did they want to get closer, and even closer, and finally the closest you can ever get to another human? Sometimes, I asked them. For all I know, they always got attracted for what has appeared to be wrong or false reasons. As the first thing that should put out your eyes is that I’m creative and I’m craving for you to blow on my burning embers to light my fire wilder. If you haven’t seen this, you failed me. You failed me.

I am not existing to bump up your ego by looking good around your arm. I am not existing to be a proxy for the life you don’t have the guts to live. I am not existing to mirror and solve your issues with femininity. I am not existing to take care of you and support you emotionally. I am not existing to make you a better person and educate you on equality. Above all, I am not existing to be attacked because you feel bad in your own skin. None of that is exhilarating and I want an exhilarating life.

Since I’ve been alone again, I’ve been finding my peace in books and art works. I’ve been swallowing tons of references about madness and psychiatric institutions. I’ve been reading Nellie Bly, Pierre Souchon, Michel Foucault. I am on a Raymond Depardon marathon this week. Depardon and his wife and sound engineer Claudine Nougaret started documenting psychiatric institutions in the 80s. I saw three of their documentaries in four days: Urgences, Douze Jours and San Clemente. They capture so accurately the poetry and verity of madness. I recognise some attitudes and expressions I used to witness. Their films are so genuine that they reactivated the smell of the long and gloomy corridors of the hospital in my memory.

There was a Q&A with Raymond Depardon and Claudine Nougaret after the film Urgences the other day. They said this film was their honeymoon. They had just got married and spent the next three months filming the psychiatric emergencies as she was pregnant. God, that’s so the life I want. They said they managed to render the essence and truth of mentally ill people because they have a special ability to disappear and sync with the patients, which made them comfortable enough to open up and be natural despite the camera. Their words strongly resonated with me, because I instinctively understood that I have that ability as well and that’s why I am so comfortable around psychiatric patients.

I’ve been studying my feelings through the large oscillations of the last two weeks and I am coming to the conclusion that experiencing and making art is the main source of fulfilment and happiness in my life. Way more than any human relationship. I am not saying this because I am love bitter these days. I am not. You know, I wasn’t even sad for a moment when I left the boy. Apprehending, taming and forging an intimate relationship with an art piece makes me ecstatic. Doing the same with people often left me disappointed. All the art I’ve seen is the most precious thing I own. I’ll take these images to my death bed and all the rest will be long forgotten.

Paintings: Les Cathédrales de France by Anselm Kiefer

 

Advertisements

What Have I Done? (News from the Mad House)

arton48

I usually never post twice in a row on the same topic, but teaching dance at the ‘Mad House’ (a South London psychiatric hospital) is currently becoming the centre of my life. It feels like the first time I’m actually doing something. I mean that I am finally producing something of true value and creating something from scratch out of all the things I’ve learned. I’ve studied, hanged out and traveled most of my life. These are easy zones though. They allow you to fail and quit. I have a lot of opinions on a lot of things. I’ve built a network of amazing people and creatures, almost a human cabinet de curiosités. But what have I done? What have I made?

Teaching my Wednesday classes at the psychiatric hospital is becoming my heartbeat. That’s crazy. I never expected to fall so deeply for it. I hated it with passion in the first few weeks. Now, some kind of magic is operating. I don’t know yet what is happening, but it feels like I am finally taking action on what I really want to do in life.

My favourite patient is leaving the ward on Friday. She was there at my first class and almost hasn’t skipped one since. I hopefully won’t see her again in that context. I’ll miss her but I’m happy she gets out of there, she’s only 19. She’s pretty and gentle, and always accommodates herself with everything. She’s a peace maker. When other patients create trouble, she never gets distracted from her own dances and she liaises between me and them. Today I tried to stretch her legs in the downward dog position but she couldn’t. She explained me that her legs are too long for her body because her parents gave her growth hormones and tortured her as a kid. She thanked me when I left, she said she enjoyed the classes and would miss it. She looked so much better than at the beginning. She asked me where to take dance classes on the outside world. I hope she continues. I want her to be fine. I’ll remember her.

Stern 2004 Marlene Dumas born 1953 Purchased with assistance from Foundation Dutch Artworks and Bank Giro Loterij 2007 http://www.tate.org.uk/art/work/T12312

I had a new student tonight. As soon as I got on the ward, she stood right behind me, close enough to touch me. Then she started following me, still touching me, as I walked to the TV room where the class takes place. She wore her bra on top of her clothes and wouldn’t take off her flip flops to dance. She was talking, shouting and pressing the security buzzer all the time but we managed to work anyway. It’s stunning how troubled people become “normal” as soon as their body and attention are engaged.

An older lady who always watches the class but never participates told me: “You’re a free spirit”. I thought I didn’t hear properly. “I’m a free spirit?” She said she could tell from the way I dance. I laughed and I replied: “Yeah, I suppose so. It puts me into trouble on the outside world.” Everyone laughed. I think they got what I meant.

At the other ward, where I teach my second class, the occupational therapist had a word with me before we started. She told me that they got the news in the morning that one of the patients committed suicide at her flat after she was released. I knew who she was. She came to the class once. She was a tall woman with dreadlocks, late 30s or so, beautiful face. She’s the only patient so far who knew about 5 Rhythms dance, we talked about it together. I didn’t know her very well at all, but I remember her. It’s strange that someone was here and now she’s not, just like that.

As I got in the dancing space – which is the diner, we just push the tables and line them up against the wall – there was the lady who wouldn’t stop insulting me last week. She said horribly vicious things like I was a failed ballerina cause I was too short or if I had lived during World War 2, the Nazis would have put me in their big vacuum cleaner for people. Then she was describing in detail how much I was hurting all her senses. I was surprised at my own reaction. It didn’t impact me at all. I thought it was funny and super creative insults with thorough almost poetic descriptions. Anyway, she apologised for it tonight. I said that it was OK and that she probably had had a bad day. She said she had a bad few months. She joined the class and was very present to herself when she danced. She was so internally focused, I felt like stopping and watching her.  The patients dive way more into themselves than regular people do. It strikes me when I see the members of staff dancing next to the patients. The patients are so much more engaged, more expressive, more raw, more edgy, more everything. They have a real story to tell, and I am really drawn to look at them so much more.

I was briefly struck by the thought of the people in the outside world who tell me that I’m a hard person. I came to the conclusion that I’m only hard to people who deserve it and I felt in peace with myself and my so-called harshness.

Things start picking up at Mad House. The ladies are awesome. All of them. I just love them. I got an email from the hospital this morning that we are going to start filling in weekly forms to track the attendance and the progress of the patients and study the positive impact of dance on them. They have targets of some kind regarding the physical health of the patients.

Hurray! That’s serious stuff happening!

marlene_dumas_7

Paintings by Marlene Dumas : #1 – Mamma Roma   #2 – Stern    #3 – Passion

Mad House Sistas

photophoto copyphoto copy 2 photo copy 3

In December, I started giving dance classes at a psychiatric hospital in South London.

I still can’t really explain what was the trigger, why I wanted to do that. I’ve had a fascination for psychiatric hospitals since my teenage. Was it because I thought the line between my own mental sanity or what is perceived like insanity was thin and challenged at times? Is it a fascination for the place in itself, which obeys to its own rules, where there is a discontinuous management of time and space? Is it because the patients’ relationship to what you are supposed to do or not is so different from the outside world?

When I walked out of my last session, there was a big lady rolling naked on the floor in the corridor, screaming with her legs wide open. Two nurses rushed to cover her with a sheet and told her to go back to her room. I wasn’t shocked by the scene. I wondered what the story was like in her reality. Was she giving birth? Was she begging for sex? I caught myself envying her for just a second. My first thought was: “This must be really liberating!” I wish I had the guts to roll around naked and scream in my office or in my house if I feel like it. Why should it be necessary perceived as offensive, just because it is somewhat disturbing the established order? What if it was socially accepted to do that, just because this is what someone needs at that precise moment? I’ve always had the belief that there is no such thing as “madness” or “craziness”, just different perceptions of reality and different modes of self expression.

I think my psychiatric hospital immersion is the natural continuation of my 5 Rhythms dance and my sexual explorations. It is another aspect of liberating the body from rigid mindfucking rules. It is crossing the lines of what is socially accepted. Of course, I am aware that the patients may be a danger to themselves or to others, and that’s why they are locked in. But even so, I think they challenge a lot of unspoken self integrated rules, and I secretely admire them for that reason.

After tough beginnings, I finally start finding my rhythm with the patients. It has been nothing but easy. I have had to struggle to find adequate support from the institution itself and was tempted to slam the door for a moment.

Holding a “class” there is like dancing tango. I never know in which direction the next step is going to be. Whatever upsets them, they don’t force themselves to cope with it, they just leave the room. Once, everyone left. I had no more students. I managed not to take it personally.

Every session is dramatically different. Everything changes from one moment to the other. I have to be so present, so so so present every second, and readjust constantly in response to the ladies. At the beginning, I was preparing the class, but I quickly realised that there was no point. The best I can do is preparing myself to be physically and mentally engaged.

I start building a core group of 2-3 girls. The first time I saw one of them, she was sitting still in silence for half an hour, just watching the class. She had just received medication and looked stoned. I wondered if she was autistic, because she wouldn’t even answer my questions. The patients left the class one after the other, but she stayed. When it was just me and her, she finally spoke. She asked me if we could do some stretching exercises. She had done ballet before. I showed her some moves. Suddenly, she looked different. She was beautiful, engaged, alive again. She was sighing with relief while reconnecting with her body. When I left the place, she looked like a healthy person again, just like me.

The girls of my core group are young and pretty. Sensitive and wild. Last session with them was awesome. I stop pretending I am “teaching” them anything, because they know more than me at so many levels. I just turn off the lights, play music, and we dance freely together in the dark.

Last time, I was amazed at how far they went, how abruptly they express themselves and don’t give a shit about what the others may think. It really doesn’t seem to be part of their mindset. Whatever direction I was giving, they were picking it up super fast and were immediately twisting it into magic, way beyond my expectations. I played the song ‘I Am What I Am’ and they all started singing amazingly. I was stunned. The words were so meaningful in their mouth, too. We were all repeating “I am what I am”, whatever it meant. We laughed. It was a nice moment. I was the student in the end. I don’t know, I am just learning so much. They have so much to say, they are so intensely emotionally charged.

We got together in a small circle at the end, holding hands in the dark. They treated me as if I belonged with them, as if I was one of their sistas. One told me: “You should totally get a room here with us at Mad House!”

I giggled, but I was tempted for a minute. Yeah. I’ll think about it. I am glad I am finally hanging out with people who speak my language.

Go Where The Fear Is

11219094_10205481328567707_1535389065126060564_n

Picture by Dan Genuario posted on the Urbex page

  • being strangled
  • being assaulted
  • being insulted
  • not getting their attention
  • not remembering why the fuck I put myself in that situation
  • leaving the room in tears and being kept at the hospital for the night

We laughed our head off.

I found some reassuring in the idea that I only had to ground myself and breathe with them not to lose their attention. If I was fully present and engaged every minute, I would be fine.

And I was eventually.

Apart from rough working conditions and people shutting me down (“- Hi, do you feel like doing a dance class?NO!“, “Your music is boring, you’re putting me to sleep”), I didn’t get strangled and I didn’t leave the room in tears.

It was an extremely odd experience. It made me question my own naivety. My own high opinion of myself on how I have the pretention to change the world. I don’t know, it was hard on my ego. I am not saying that in a defeatist way, but I am so powerless about certain things after all. I need to soak deeper into that world to figure out how I feel about it. I’ve had contradictory feelings since I pushed the doors of that parallel universe.

This week, I collapsed. I failed. I cancelled. I didn’t go. Fear won me over.

I was confronted to another of my black beasts a few days ago.

I accidentally saw the only straight man I’ve ever liked, the one I randomly made a step towards on the day that Paris was attacked. I hadn’t seen him since our weird written exchange. I didn’t know he would be there. I caught sight of him in the door frame from a distance, and I instantly stopped. I hid like a 4 year-old for a good 15 minutes thinking “Fuck fuck fuck fuck fuck”. I considered running away, but I was there to meet friends so I had to pull myself together. I made my hair more voluminous to intimidate the adversary and put more red lipstick than necessary. I was all feline in my leopard coat but not breathing at all when I finally crossed his gaze and said “Hi-how-are-you”. Oh my God. How can I be terrified just saying hello to somebody and be super chilled when fucking a stranger in the middle of the woods? I ran away without saying good bye to him. For what? I have no intention to convince him to like me.

I’m not afraid of being judged, I’m not afraid of people not liking me. I’m used to that and I find it healthy. If you have unanimous support, it means you’re on a consensual or an easy path. I’m afraid of having to convince people to be on my side. I am afraid of having to please people. I have no clue how to do that.

I refuse to.

I run away. I run away.